Summer Reads: The Books Behind the Blockbusters
by Dennis Lehane
Lehane is red hot--his Mystic River (2001) is currently being filmed by Clint Eastwood--and he returns with another blistering page-turner. It’s 1954, and U.S. Marshals Teddy Daniels and Chuck Aule arrive at a small island in Massachusetts’ Outer Harbor. It is home to Ashcliffe Hospital, a federal institution for the criminally insane, and one of the patients has escaped. Although the two men are new partners, they have already developed a wry, jocular relationship while also swapping personal, painful details. Daniels’ lost his much-loved wife two years prior in a fire, while Aule requested a transfer out of Seattle after being harassed over his personal relationship with a Japanese American woman. After interviewing the hospital’s medical personnel, both men have the feeling they are being stonewalled, especially by the director, who seems to alternate between a cold authoritarianism and a sudden and sweeping compassion. When the island is hit by gale-force winds and Aule disappears, Daniels must go it alone, beset by the fear that he has been fed psychotropic drugs and the belief that the hospital is performing radical brain surgery as part of a secret-ops program. Lehane throws in one mind-bending plot twist after another in a psychological thriller that will leave readers in suspense right up to the end. A master of the adroit psychological detail, Lehane makes the horrors of the mean streets pale in comparison to the workings of the human mind. — Joanne Wilkinson
REVIEW. First published April 1, 2003 (Booklist).
Also by Dennis Lehane
Mystic River (book)
Gone, Baby, Gone (book)
by Cormac McCarthy
Oct. 2006
A man and a boy, father and son, “each the other’s world entire,” walk a road in “the ashes of the late world.” In this stunning departure from his previous work, McCarthy (No Country for Old Men, 2005) envisions a postapocalyptic scenario. Cities have been destroyed, plants and animals have died, and few humans survive. The sun is hidden by ash, and it is winter. With every scrap of food looted, many of the living have turned to cannibalism. The man and the boy plod toward the sea. The man remembers the world before; as his memories die, so, too, dies that world. The boy was born after everything changed. The man, dying, has a fierce paternal love and will to survive—yet he saves his last two bullets for himself and his son. Although the holocaust is never explained, this is the kind of grim warning that leads to nightmares. Its spare, precise language is rich with other explorations, too: hope in the face of hopelessness, the ephemeral nature of our existence, the vanishing worlds we all carry within us. McCarthy evokes Beckett, using repetition and negation to crushing effect, showing us by their absence the things we will miss. Hypnotic and haunting, relentlessly dark, this is a novel to read in late-night solitude. Though the focus never leaves the two travelers, they carry our humanity, and we can’t help but feel the world hangs in the balance of their hopeless quest. A masterpiece.
— Keir Graff
REVIEW. First published August, 2006 (Booklist).
Also by Cormac McCarthy
No Country for Old Men
See if your library has the DVD:
Shutter Island
Mystic River
Gone, Baby, Gone
The Road
No Country for Old Men












